MicroPlanet 3D (2012)
Overview
Stunning macro 3D filmmaking takes viewers on an unforgettable journey from lake bottom battles for territory to lovelorn toads searching for a mate to lizards prowling the forest for a meal. We humans are but lumbering, clumsy giants striding through these miniature ecosystems that thrive without us... even in spite of us.
Production Companies
Additional Info
| Budget | $0.00 |
|---|---|
| Revenue | $0.00 |
| Original Language | en |
| Popularity | 0.15 |
Directed By
Michael Watchulonis
Crew
Vicki Watchulonis
Michael Watchulonis
Michael Watchulonis
Michael Watchulonis
Daniel Watchulonis
Michael Watchulonis
TOP CAST
Siena Watchulonis
Narrator (voice)
Similar Movies
Sketch Film #1
Sketch Film #1 (Tomonari Nishikawa, 2005, 3 min., super 8, silent, 18/24fps, b&w, USA) As a painter carries a sketchbook and practices drawing, I carried a Super 8 camera and shot frame by frame, as an everyday exercise to make animations of lines and shapes found in the public space. The entire film was edited in camera and hand-processed afterwards.
Sketch Film #3
Sketch Film #3 (Tomonari Nishikawa, 2006, 3 min., super 8, silent, 18/24fps, b&w, USA/Japan) The third film in the series, which starts with a sequence of paired images: a focused image and a blurred image of the same subject, which was caused by a diagonal camera movement. Later, it shows an experiment to produce an apparent depth by rotating an apparent shape. It was edited in camera and hand-processed afterwards.
Group Portrait as a Still Life
Documentary on the interdependence of the world of the living and the dead, and 'the infernal influence on the thoughts and actions of living people.
Stop for Bud
Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."
El mégano
Documentary that portrays the life of a coal-mining town south of Havana, around 1955, prior to the triumph of the revolution.
The First Photo of Mine Ever Taken
A one-frame long experimental short film from Yugoslavia.
Yellow Fever
What does beauty look like? In this award-winning short, Kenyan filmmaker Ng’endo Mukii combines animation, performance, and experimental techniques to create a visually arresting and psychologically penetrating exploration of the insidious impact of Western beauty standards and media-created ideals on African women’s perceptions of themselves. From hair-straightening to skin-lightening, YELLOW FEVER unpacks the cultural and historical forces that have long made Black women uncomfortable, literally, in their own skin.
Bonazza
A collection of moments from the life of a bohemian artist and his spirited partner, as they follow the rhythms of their cove-tucked home.
Self Portrait
A contemplation of life.
The Magic of Mushrooms
Professor Richard Fortey delves into the fascinating and normally-hidden kingdom of fungi. From their spectacular birth, through their secretive underground life to their final explosive death, Richard reveals a remarkable world that few of us understand or even realise exists - yet all life on Earth depends on it.
Cantábrico
Spreading about 400 km in parallel to the Cantabric Sea, the Cantabrian Mountains, located North to Spain are a natural top wall full of animal and vegetable life that live in an extreme conditions across any year. Making a review along the four seasons, the documentary examines the situation and the relation of the different species, focusing in the brown bear's life in addition with the salmons travel along of thousand kilometers to return home to spawn, showing too the difficult of a landscape where danger is everywhere, including in the smallest size. A fascinating travel for revealing the wonder of nature.
An Owl Is an Owl Is an Owl
From Chris Marker's collection Bestiaire aka Petit Bestiaire (1990), consisting of three video haikus.
Homo Paradoksum I
An experimental film about life on earth as a cosmic experiment and the curiosity and naivete of reaching out to alien life.
Everyday Life
Dialogue-free short detailing the daily tasks of a man and his wife.
Working Women
Stylized with dramatic interiors and a distorted frame rate, this early documentary miniature from Szulkin depicts six sequences of solitary, repetitious labor.
Report from Millbrook
An oblique documentary about the LSD group experiments of Timothy Leary, with off screen commentary of a participant and shots of Leary's house and the surroundings.
More Dangerous Than Dynamite
A short film warning the unaware housewife of the dangers of “dry cleaning” with gasoline at home.
Animals in Love
Translated literally as "Animals in Love," the French-language documentary Animaux Amoreux depicts various species of the animal kingdom in courting, mating and reproduction activities. Laurent Charbonnier directs.
The Dream Machine
A 16mm anthology of experimental super 8 films by Derek Jarman, Michael Kostiff, Cerith Wyn Evans and John Maybury, with framing footage by Tim Burke of Brion Gysin using a dream machine. Jarman's contribution is a version of his 1977 Art and the Pose (aka Arty the Pose), refilmed at 3fps, with a musical soundtrack. Jarman planned The Dream Machine as a commemoration of William Burroughs and Gysin's 1982 visit to the UK, and received initial funding from the Arts Council in 1983, then rethought the project as a portmanteau film featuring Gysin alone. The production remained in limbo until 1986, when James Mackay obtained completion funding from the British Film Institute. (Since this film was released on VHS accompanied by Jarman's Broken English: Three Songs by Marianne Faithfull, T.G.: Psychic Rally in Heaven and Pirate Tape under the umbrella title The Dream Machine, synopses of this film have often muddled up its details with those of the earlier films. )
Gingers
Redheads. Fire crotches… This film collects samples of their testimonials and their body hair and skin. About being different genetically, about gay gingers, doubly in a minority, from Ireland to Israel to Brazil. A film made especially for ginger lovers.